This week I read over two books that both
turned out to be quite interesting and aspiring in their own ways. Both are
monograph, and the first one is “Street Portraits” by Michael Itkoff, the
second one, which, in my opinion, also a better one, is “Paradise Road” by
Brian Sweeney.
First I’d like to briefly talk about the
Street Portraits. Michael Itkoff is a photographer and professor at the School
of Visual Arts, New York City. This is one of his three major projects. It
spanned several years and included photographers taken at the streets of
multiply metropolitan city, including Hanoi, Vietnam, Bangkok, Thailand, Sydney,
Australia, London, England, and of course, the New York City. The pictures in
this books follows one general format: random people chosen from the streets
are photographer for a full portrait with a white “makeshift” backdrop behind
their head. The proportion between the body and the backdrop is so that the
backdrop seemed to be a white background for a passport picture. And these
pictures are not meticulous at all. In fact, one could often see the foot of
the assistant who is standing behind the subject, holding the backdrop, to
appear in the frame. And the artist obviously didn’t mean to erase those
traces. And it’s those little that gave me a sense of realness of the streets.
Yet, the negative space created by the backdrop extracts these person from
their environment and presents to us, the person himself. It surprising how my
perception of the picture differs when I switch my attention between the
surrounding, and that negative space. It crudely combined the relationship of
the person to its environment and the mere existence of the person himself. And
the effect is aspiring. Just like the photographer said, “the use of the white
board allow the viewer to take a look at the subject within and without the
confines of the city.”
Another focus of
Michael Itkoff is the cultural diffusion on a global scale. He sees that not
only the buildings around the world are similar, so is the way people dress
himself. According to him, people dress a certain to feel fit to a culture,
which is spread globally by modern media and advertisements. The homogeneity of
the world is becoming more and more obvious.
The second book
is much different but more related to the topic of this class. It’s mostly
landscape with some other elements of the nature. I particularly enjoyed this
book not only because I have always felt delighted to see things like beautiful
clouds and flowing water, but Brain has truly elevated these elements to
another level. The essay was at the end of the book, so after all the pictures,
I learned that he is a religious business man. Indeed, I sensed the “sublimity”
and maybe the “godhead” in his pictures. The last section of the pictures were
devoted to one very interesting type of pictures. The sky and the sea surfaces
are conceptualized to almost pure colors and the contraction between these two
huge “color blocks” amazes me. And I also gained many techniques and unique
perspectives from the way he conveys the scene. Despite the fact that he is an
amateur photographer, the works are truly aspiring. I dwelled on several
pictures for a couple of minutes, giving them much thoughts and allowing them
to convey the message. Though the book is not fairly cheap, I would like to
purchase one for my collection.
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